Leant back against the arm upthrown behind, Why are your eyes closed?
A Wargaming Odyssey This is a long running and continuing journey around a collection of ideas, projects, games, models and a variety of wargaming related themes from my own imagination and from others.
As I have been described as having the attention span of a forgetful goldfish you can rest assured the resulting subject matter will be diverse and usually entertaining!
Wednesday, 28 November Keep on Blocking!
Another picture of the Jenga blocks in action - this time viewed from the Allied side. Picture with thanks in advance to Paul Robinson of the Grimsby Wargamers It has been an eventful few days and no mistake!
Since my last blog post I have been in contact with Andy Callan and have discussed many things around using blocks for wargaming. I have been truly inspired! Andy was kind enough to share many of his thoughts on using Jenga blocks and has also supplied me with a copy of the rules he developed for the War of the Spanish Succession game he demonstrated at Battleground.
These are a really neat set which have a lot of potential beyond the period they were designed for.
This is certainly something I will give a lot of thought to for a couple of specific ideas I have in mind for next year. I know you have seen this but I could not resist showing it again!
Many thanks to Will McNally for the picture. As an aside I really like the cloth used for the tabletop. By far and away the main thing that has given me much to consider though is the whole concept of using blocks for wargames rather than figures or even alongside them.
I realise now that I may have taken my own block adventures of on a tangent from where they were originally intended. For the most part I tended to use them on what could best be described as a divisional or brigade level basis.
In figure parlance this could be anything up to around 8 units of infantry, 2 or 3 of cavalry and a 2 or 3 guns or so. For 20th century actions the level tended to be lower still with games being battalion or company based.
This was fine and to be sure I had some very good games. I have absolutely no regrets about how I executed the concept and for what the blocks have been used for they are perfect. There is one small point though that I overlooked. To be more accurate it was not so much overlooked as parked to one side and quietly forgotten about.
When I set out raising the block armies my original idea was to be able to fight battles whilst raising the armies using figures.
A secondary use was to try out new periods in advance of investing any resources to see how it worked out. With one exception every battle I fought with the blocks was fictional and indeed, aside from how the respective armies actually fought historically, every action was off the top of my head so to speak.
An earlier version of my block armies. This was very much an interim solution between the full and half block option and was initially limited to artillery, skirmish and command elements. What I thought I was doing was fighting battles rather than small portions of them.
Andy Callan has come up with a rule system using Jenga blocks that are designed with battles between armies in mind and this has served to effectively 'reset' my thinking about blocks in general, specifically using full sized versions rather than the cut down types I use.
Seeing his Jenga armies arrayed on a table top immediately reminded me of what I had originally intended them for - the 'Grand Battle' - before being distracted by more 'tactical level' games.
My feeling is that the full sized blocks are better suited to fighting large battles with the smaller blocks being more effective at a lower level.
Naturally a few adjustments would be needed for representing armies at the larger scale and there are a few ideas that can be considered. Andy Callan makes use of plastic Risk cannons mounted of wooden scrabble tiles for his artillery as well as making cavalry units from a basic Jenga block painted brown with a strip of beading glued to the top and painted in whatever the national colour of the army is.
It is worth pointing out that a block in this scale obviously represent a number of units deployed to fight, with spaces and local reserves and certainly in the later period with skirmishers to the fore. This is fine but using the single large block for formations deployed in line is not without its problems in my opinion.
What about a formation that is moving along a road in column of march, or massed in a column of attack? What about when the entire formation is under concerted cavalry attack?
Well, taking these points into consideration I am thinking that using my existing block collection with units in pairs would be a viable alternative. This would allow 'formational flexibility' whilst still preserving the 'grand battle' look.
As an aside using two half blocks to represent a formation is the approach that Bob Cordery has adopted for his forthcoming Portable Napoleonic Wargame i. The problem of identification of units with my block armies is one that I have written about previously and I have a couple of ideas in mind to solve this.Poem by Robert Laurence Binyon (), published in The Times newspaper on 21 September With proud thanksgiving, a mother for her children, England mourns for her dead across the sea.
Feb 14, · Claude Binyon (October 17, Chicago, Illinois – February 14, Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago -based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late s.
Robert Laurence Binyon, CH (10 August – 10 March ) was an English poet, dramatist and art scholar. His most famous work, "For the Fallen", is well known for being used in Children: Helen Binyon, Margaret Binyon, Nicolete Gray. Your Daily Poem is devoted to helping people develop an awareness of and appreciation for poetry.
Featured poems are especially chosen for their accessibility and appeal. Remembrance Day poem, I have been to Ypres. It is a place which touches the heart.
At the going down of the sun and in the morning We will remember them. by Robert Laurence Binyon ♥ ANZACS ♥ I love you! Thank you for everything you sacrificed, so I can live my life the way I do! A detailed unit overview of the In Flanders Fields. Robert Laurence Binyon (10 August - 10 March ) was an English poet, playwright, and art scholar.
His most famous work, " For the Fallen," is well known from .