Did the stereotypes put in play come off as cheap or mean-spirited; or did they rather, as I hoped, get absorbed in the glee and cross-purposed ironies of the tale?
Not specified Description of this Book The 'texts' of Russian artist and thinker Daniil Kharms were so many and varied and often unique narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical that they defied categorization - and, thus, thorough study or appreciation - through much of the twentieth century.
This book, the first in English to view Kharms' oeuvre in its entirety, is also the first to offer a complete, inclusive, and coherent understanding of the overall project of this artist and writer now considered a major figure in the modernist canon of Europe.
The book follows Kharms' development as a creative thinker, inquiring into the nature of Kharmsian nonsense, the ontological status of the OBERIU object, writing as performance, Kharms' gestural language, his 'language machines', and his ideas of order, number, infinity, and chance. Reading every paper trace as well as extant memories of Kharms' activities as part of a large project of world creation, Branislav Jakovljevic situates him in a twentieth-century effort - exemplified by Kafka, Beckett, Artaud, Malevich, and Khelbnikov, among others - to go beyond an interpretation of meaning circumscribed by rational and logical thought.
Examining texts that could conceivably be called 'literary' as well as sketches, diagrams, hieroglyphs, photographs, and unclassifiable others, Jakovljevic's study is the first to provide a properly broad perspective on this creative thinker's far-ranging, far-reaching, and finally comprehensive achievement.
By drawing in discussions of a broad range of Western thinkers, Jakovljevic brings Kharms to the English-language reader in a familiar and exciting context, making a strong case for Kharms's inclusion in the international avant-garde canon as both artist and thinker.
He specializes in modernist theater and the avant-garde, and in his current research he focuses on the relation of the event to performance. He lives in Palo Alto, California. Writing and the Event Loading This preview is indicative only. The content shown may differ from the edition of this book sold on Wheelers.Our event insurance program is the easiest way to purchase special event insurance Low Cost · Excellent Support · Credit Cards · Best Customer Service.
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Writing and the Event By Branislav Jakovljevic The "texts" of Russian artist and thinker Daniil Kharms () were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization—and, thus, thorough study or appreciation—through much of the twentieth century.
Daniil Kharms: Writing and the Event The 'texts' of Russian artist and thinker Daniil Kharms () were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization.
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